Place
I craft instruments in a traditional Japanese building that is more than a century old, built by skilled craftsmen of its time and still lovingly preserved today. Working in this space connects me to a long lineage of handcraft, and it inspires me to create instruments that will be cherished for generations—just as this building has been.
Design
Drawing inspiration from the masterpieces of great makers of the past, I strive to express my own voice within the classical tradition. I am deeply influenced by Stradivari in violin making and Gasparo da Salò in viola making, and much of my work explores the freedom and possibilities found within their approaches.
Woods
Tonewood cannot be used immediately after it is cut; it must be given years to rest and mature. I therefore collect as many well-seasoned woods as possible, regardless of cost, focusing instead on character, stability, and acoustic potential. Choosing the right wood is the first step toward crafting an instrument that can be loved for a long time.
Hand Works
Violin making demands time, patience, and precision. With a background in science, I aim for an efficient yet meticulous working style suited to modern craftsmanship. Every process is done by hand, with careful attention to detail, to create instruments of clarity and beauty.
Varnish
I use oil varnish based on traditional recipes from the Old Italian schools. Colors, texture, and transparency are chosen to complement the character of each instrument. I avoid applying varnish too heavily, focusing instead on a finish that enhances the instrument’s acoustic performance while preserving its natural resonance.
Setting
The final setup is a crucial element that determines an instrument’s true performance. I craft fittings from selected materials and adjust the instrument to draw out its full potential. My goal is always to stay close to the needs and expressive power of the player, creating an instrument that responds intimately to their intentions.